I am proud to say that the Mk-Ultra Series, which now consists of four volumes, has more than three hundred thousand (300,000) downloads, while this site enjoys more than three million (3,000,000) hits, with heavy deep state traffic from places like Iran, Greenland, and Antarctica.
Below you can download my fourth book, Superman (First Half), for free, without registration, while you are authorized to distribute copies, without charge, to anyone in the world.
Below you can download my third book, WonderWomen, for free, without registration, while you are authorized to distribute copies, without charge, to anyone in the world.
Below you can download my second book, Playboy’s Progress, for free, without registration, while you are authorized to distribute copies, without charge, to anyone in the world.
And below you can download my first book, Stories When Little, for free, without registration, while you are authorized to distribute copies, without charge, to anyone in the world.
One aspect of my books concerns visual art, which I exalt and discuss in my capacity as an art historian, while I seek here, as a literary critic, to explicate and to elevate my own magnum opus.
This involves an awareness of the principles of design.
And this involves an awareness of the elements of art.
Great art has a subjective element because it uses the language of symbols.
Doing so, it can transport us to another world, while it conveys personal experience.
It can connect us to other art, as artists converse with each other, through the ages, as well as with their readers, their viewers, and their audience.
And it can connect us to moments in history, along with their causes, and their effects, as different academic, artistic, and cultural disciplines enter into conversations.
Great art is objective because it involves the artist’s intentional use, and the viewer’s intelligent perception, of line, shape, and movement.
Great art is objective because it involves the artist’s intentional use, and the viewer’s intelligent perception, of color, balance, and emphasis.
And great art is objective because it involves the artist’s intentional use, and the viewer’s intelligent perception, of texture.
An excellent example of these principles appears in my fourth book, Superman (First Half), where I describe my time in the Chateau Country of Northern Delaware.
It was when I was living in a three-hundred-year-old house, surrounded by enormous estates, while my home was later rented by Helga Testorf.
And I learned this from an old friend of my family who worked for the Wyeth Family while he was painted in a watercolor called The Sharpshooter.
In Superman (First Half), I describe the paintings of Andrew Wyeth, of the Brandywine School, as they connect to the luciferian conspiracy, showing people in a state of dissociation, so, although these masterpieces are full of sensory life, the subjects look mentally absent.
My Young Friend is an amazing portrait, catching the exact texture of a woolen sweater, so the viewer can smell the lanolin, and touch the fluffy fur, on the pelt of the model’s hat, while it captures a twenty-year-old stablegirl who looks like she’s tripping on acid.
Nicholas shows the artist’s elder son wearing a canvas parka, so the viewer can hear the coat crinkle while he moves, in a palette of browns, as the red-lipped child calmly holds himself, grimacing, distant and indifferent in pain.
And Faraway shows the artist’s younger son, looking evil, upon the loss of a lead soldier, with the denim of his jeans standing bold against the complementary colors of an orangy field.
Like the paintings, the subjects are full of secrets, and I don’t want to know how these creatures lived in their own underworlds.
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Our enemy depends on silence.
Fighting Monarch 
Dissociation: MC in front of two soldiers not realizing her own album on which she supposedly worked so hard is being released on that day
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All three there have this stare.
I used to have it sometimes and it felt like a semi trance
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I remember my girlfriend saying to me once, when I was smoking cannabis, that I looked possessed….
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Let’s be real, she’s a singer. People hand her the words, people hook them up with music producers that makes the beats. People hand her outfits…. “And action!”
She’s a singer. This is how most musicians are. They come in and sing the song they were given, to the beat they were given, and then a whole team of people makes the album, makes the release date, schedules PR moments like this to promote the album.
She’s the singer. Then, the “face” for the music after It’s made. Rinse, repeat – you have your modern singer.
Ariana grande, Nicki Minaj, Megan thee stallion, Miley Cyrus etc etc etc – all singers that are hired to sing a song to a beat that other people made. This is the music industry. It has always worked like this.
Elvis Presley, was a singer. IF he got credit with songwriting, it was because it was in his contract to get writing credits, not because he actually wrote anything.
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Yes that’s right. But who are these people behind the scenes who create these pop-culture phenomena, as they keep the singer, who doesn’t know what’s going on, in a daze?
And what are they up to besides making money? The very fact that these singers are so popular indicates mind control on their audience, as indicated, for instance, by Beatlemania, while there are also documented examples of control of the music industry not only by Naval Intelligence but by Air Force through places like Lookout Mountain.
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Ok, but it was not about MC writing lyrics
It was about her working on the album and the minimum a person who has at least a bit of autonomy over her own work would like to have is knowledge of the releasing date or any event related to her work
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