Whenever you see something popular, you are seeing mind control.
It might be Tesla, which now sells more than one million cars per year.
It might be Rubik’s Cube, which sold more than two hundred million toys in three years.
It might be Snoopy, which sold more than one billion dollars per year.
It might be Tolkien, who sold more than six hundred million books on adventuring hobbits.
It might be Harry Potter, which sold more than five hundred million books on teenage wizards.
It might be Shel Silverstein, who sold more than twenty million books of childish doggerel.
It might be Captain Underpants, which sold more than eighty million books of immature garbage.
It might be James Clavell, who sold more than fifteen million books on an English Samurai.
It might be Lisa Birnbach, who sold more than one million books on American Preppies.
It might be Cats, which made more than three billion dollars in almost twenty thousand performances over more than twenty years.
It might be Mia Khalifa, who was rated the number-one porn star, with the number-one porn video, in which this Catholic Woman dressed up as a Muslim.
It might be any one of a number of wildly popular children’s books written by homosexual child molesters with ties to the global intelligence community.
Or it might be the popularity of Nazi pornography among submissive Jews….
It’s all due to mind control.
Mind control is easy to spot—if you know what to look for.
So, let’s look at Paul Cézanne….
His paintings sell for as much as two-hundred-and-fifty million dollars ($250,000,000.00), while, below, you can behold only one of his masterpieces.
Here’s another of his paintings—while this stuff sells for more than one hundred million dollars ($100,000,000.00) per canvas.
It’s Mont Sainte-Victoire, and, while he was moved to live next door, he painted the thing more than two dozen (24) times.
I lived on top of a mountain, as you can read, in my third book, a real masterpiece, which has more than thirty thousand (30,000) downloads, while it’s available for free, at zero dollars ($0.00), so you can learn how I was kidnapped into the deep underground military base, or DUMB, that lay inside, as one lies inside just about every mountain in the world.
Otherwise, here, you can learn how the Central Intelligence Agency, or the CIA, stood not only behind the so-called Art Movement of Impressionism but also behind the further degeneracy of Abstract Expressionism.
Plus, here’s another documentary on the criminals in the deep state, the fakers in the art world, and their bullshit games.
Do you think this painter was not under mind control?
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Fighting Monarch 
Cezanne painted 1- Dead Nature 2- The Murder (!)
He was highly influenced by that Theodore who painted the raft of the Medusa (cannibalism).
His father became a banker and another relative was a banker, too.
He was rejected in 2 art schools, I think, or some art school and some art club, humiliation ritual or they considered him lame, but for being a pawn of the brotherhood he “made it”?
Picasso considered him the father of us all and Matisse, I think, considered him the mother. Why so much personality worship for someone who was no big deal?
After Cezanne, “art” became more and more abstract. And it had to be, he was like a Covid-19/Great Reset for art, for radio was coming, cinema and TV, too, and art had to be replaced in a new situation not to become cringe.
He is a probable h0m0s3xu4l, even for his official biographers (in the end that’ what these “illuminati” clubs are about), and Sl1pkn0t’s “Clown” favorite painter.🤔
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In Brazil there was only ONE famous art movement, from 1922-30, called Anthropophagic Movement (yes).
It started when artist Oswald de Andrade and some others were eating frog at a bar in São Paulo, which is common in Brazil because it tastes like chicken but I only had it once.
They saw it looked like a man and joked about being eating a man (…) and decided to start a “Brazilian anthropophagic movement” for the Modern Arts Week, in which they would make works that looked like they had “eaten the European influences and works” but “digested it to make something Brazilian” or whatever.
Its most famous painting is Tarsila do Amaral’s The Abaporu (the man who eats man). She was Oswald de Andrade’s wife who then left her for a student, nicknamed “Pagu”.
A book from this movement, called Macunaíma, became a famous movie mostly because of a scene where a feijoada (Brazilian dish) is made of people (instead of ox or pork meat in the feijoada, there were people in it). They always like to mention this scene of the movie, which is about a typical Brazilian character who, being born dark skinned, becomes white after being whitewashed in an enchanted cave o.o
Once the men artists of this 20’s movement, tirelessly making references to cannibalism, were at some event where a clown named Piolin was present, and they said, “We are going to eat Piolin”. But eating is an expression here for intercourse, too!
“Piolin” in a dress
The “Abaporu”
The place where the artists used to eat frog; it was 1922, right after the Spanish plandemic, when Brazilian population was forced to stay home at any cost, and in 1922 they were freak about staying outside no matter what; it “coincided” with the most famous Modern Art Week we ever had- very cannibalistic, by the way…
Human feijoada in a Macunaíma theatre play.
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