Charles Schulz was one of the most influential cartoonists of all time.
Peanuts was one of the world’s most popular comics, as Schulz drew over 17,000 strips over almost 50 years. Peanuts was published daily in 2,600 papers, in 75 countries, in 21 languages. The strips, plus merchandise and product endorsements, produced annual revenues of more than one billion dollars ($1,000,000,000.00).
Meanwhile, Schulz earned an annual income between thirty million dollars ($30,000,000.00) to forty million dollars ($40,000,000.00).
Why? Because CIA runs the newspapers and the t.v. stations.
It’s called OPERATION MOCKINGBIRD, it never stopped, and it’s not just the news.
They don’t call them t.v. programs for nothing. The television is a mind control device used to program every one of us.
When I was a boy, not only were Charles Schulz anthologies the most popular books in the school library, so they were always checked out, but Charlie Brown specials, for holidays and otherwise, were constantly screened on network television.
The specials aired on CBS, just as The Charlie Brown and Snoopy Show aired on the same station.
See the all-seeing eye? The Illuminati love cartel signaling….
That’s why Snoopy appeared as a spy.
He’s even flashing the Eye of Horus.
You see that eye not only on the CBS logo, on Snoopy Secret Agent, and on the faces of celebrities but on our money, where it appears above the Latin words for NEW WORLD ORDER.
NASA, which is deeply involved in mind control, has created the Silver Snoopy Award, “a special honor awarded to employees and contractors for outstanding achievements related to human flight safety or mission success.”
As the murders of Astronaut Gus Grissom and Safety Inspector Thomas Ronald Barron indicate, Snoopy’s moon landing was about as real as NASA’s.
Air Force was in on it, too. Just as NASA actually awards the Silver Snoopy to employees, USAF uses Snoopy on their flight badges.
CIA calls MK-ULTRA the Program, but USAF calls it the Mission. These traitors use the supercomputers at Schriever Air Force Base for programming, mind mapping, and microwave harassment.
At Offutt AFB, Patrick AFB, McClellan AFB, MacGill AFB, Kirkland AFB, Nellis AFB, Homestead AFB, Grissom AFB, Maxwell AFB, and Tinker AFB, the Air Force maintains near death trauma centers where they rape, torture, and brainwash American children.
There they use strobe lights, color programming, and rainbows in connection with mind control and horrific abuse.
But don’t listen to me. Listen to Cisco Wheeler, the grand niece of General Earle Wheeler, Head of Joint Chiefs of Staff. She exposed these abuses in her books.
Snoopy’s creator, Charles Schulz, got similar programming in the army.
He lived in Colorado Springs in the shadow of USAF HQ, where Nikola Tesla set up his first experimental station.
That was after he became famous for his first comic, a picture in Ripley’s Believe or Not, about his dog. As a boy, Snoopy’s creator tortured his dog by feeding it pins, tacks, and razor blades, and he celebrated these crimes through comics.
Schulz used his nickname, Sparky, in further cartel signaling, since the Illuminati use electro-shock to program victims.
Amid all the advertisement of abuse, the 17,000 comic strips, the constant t.v. shows, and the billion dollar per year stream of merchandise, what were they using Snoopy to program into us?
Snoopy lived in an imaginary world, just like the one they plan for us, and he had different alters just like they program into us.
One of them was a stripper, as Snoopy encouraged young girls to dance naked.
Flash Beagle mirrored Flash Dance, where an impoverished woman who begged like a dog, with a brainwashed look, danced nude, under flashing lights, to fulfil her dream.
Elsewhere Snoopy took on the alter of Joe Prep.
At the same time, The Preppy Handbook mysteriously sold more than a million copies, and preps grew cool. That happened immediately after Ronald Reagan called CIA Director George Bush “a preppy, a sissy, a wimp.”
So George Bush, along with the war criminal, fellow member of Skull and Bones, McGeorge Bundy, was featured in The Preppy Handbook’s “Prep Pantheon.”
Snoopy also promoted the Crown Corporation.
You know? The criminal organization run by England’s royal family, of whom Prince Andrew has recently been exposed as a rapist, whose Prince Charles palled around with child molester Jimmy Savile, and whose Earl Mountbatten molested orphans.
No wonder Snoopy danced, with devil’s horns, on Walpurgisnacht, which ends the Illuminati’s sick Season of Sacrifice, just as he performed the same dance forty days earlier at the beginning of the Season of Sacrifice, and on the Autumnal Equinox, which begins the parallel Season of Harvest.
The First Day of May, otherwise known as Walpurgisnacht, or Beltane, on which the horned Snoopy danced, is when satanic royals hunt and rape naked children in places like Chateau des Amerois, Bohemian Grove, Greybull, Wyoming, and the Swiss Villa Amphitheatre in Lampe, Missouri.
Snoopy went on to promote other satanic holidays, as Halloween eclipsed Christmas.
As we watched these shows, our corporate masters presented us with false choices.
CIA programmers love double-binds.
And who doesn’t remember the following commercial, which aired several times on every Snoopy special?
But what was the underlying message of Peanuts?
Everyone remembers Lucy bullying Charlie Brown, as she broke her promise to hold the football.
CIA loves false promises. Never think they will honor a deal.
That cruelty was not unique to what may have been Charlie Brown’s most famous scene. It was part of the comic from the very beginning, where Charlie Brown’s distress was supposed to be funny. Even if you started out as sympathetic to him, you were a sad sack, which is where CIA wants you. Or you could go with the nested stories in the sequence below, so you ended up laughing at Charlie Brown’s pain. Or you could get angry at Peppermint Patty, who, although annoying, wants to help him. The show presented the viewer with a series of unhealthy choices, just like the one between Almond Joy and Mounds.
Another part that was supposed to be funny was the time Lucy smashed Schroeder’s piano, throwing it in the sewer.
The scum always smash what they can never have. That’s why, on April Fool’s Day, they put Sharry Konopski in a wheelchair for life.
CIA, NSA, DHS, USAF, NASA, FBI, and the satanic trash in the deep state are just like Lucy, but it’s not funny at all.
Here Snoopy smashes Woodstock’s house in a fit of satanic envy.
That was supposed to be funny, too.
As Sarah Boxer wrote in The Atlantic,
“Although key characters were missing or quite different from what they came to be, the Hobbesian ideas about society that made Peanuts Peanuts were already evident: People, especially children, are selfish and cruel to one another; social life is perpetual conflict; solitude is the only peaceful harbor; one’s deepest wishes will invariably be derailed and one’s comforts whisked away; and an unbridgeable gulf yawns between one’s fantasies about oneself and what others see.”
The allusion to Hobbes is interesting since, in Leviathan, the English political philosopher promoted a virtually totalitarian state, much like the one NWO seeks to impose today.
Do you see the satanic horns, pitchforks, cannons, crowns, and weird lightning bolt designs on the cover? That’s satanic cartel signaling—just like the picture of Snoopy, flashing the all-seeing eye, below.
Certainly, Schulz, like Hobbes, depicted a life that was “nasty, brutish, and short.”
As Al Capp, the creator of Li’l Abner, identified all the kids in Peanuts, they were “good mean little bastards eager to hurt each other.”
Matt Groening, who created The Simpsons, said, “I was excited by the casual cruelty and offhand humiliations at the heart of the strip.”
They were certainly to be found—left and right.
This stuff was as pernicious as MAD Magazine.
Both franchises promoted animal cruelty.
It wasn’t just that first comic where Charles Schulz advertised his torture of animals. It was supposed to be funny, not only when Lucy smashed pianos, and played her friend false, but when she hated dogs.
Meanwhile, Linus expressed his disgust for a girl who liked him.
And Charlie Brown pined for a girl he lacked the nerve to approach.
Pig Pen had terrible hygiene.
And Peppermint Patty fell asleep in class.
There were a thousand bad messages for kids—not least in the Coasters’ reprise of Charlie Brown, which depicted the title character as a juvenile delinquent who set off smoke bombs, played dice, wrote graffiti, showed up late for class, and spoke disrespectfully to his teacher.
After all Charles Schulz did for the cartel, they destroyed him, giving him colon cancer, as they sodomized him in his sleep, while they used microwave harassment to afflict him with essential tremor.
By the 1980s, CIA had finished with Schulz. As he said then, “sometimes my hand shakes so much I have to hold my wrist to draw.” Below you can see Archimedian spiral drawings from a man with unilateral essential tremor. The man drew the spiral on the left with his left hand and the spiral on the right with his right.
Essential tremor is characterized by “involuntary rhythmic contractions and relaxations (oscillations or twitching movements) of certain muscle groups in one or more body parts of unknown cause.”
The real cause is microwave harassment, or touchless torture, commonly used by the scum at USAF, NASA, NSA, DHS, FBI, and CIA. You can learn more about it by watching videos with Dr. Rauni Kilde, the Chief Medical Officer of Finland, whom the intelligence services murdered, not to mention other real physicians.
See what you see—not what you’re told to see.
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