CIA uses Batman to brainwash people.
James Holmes, the Batman Shooter, was part of GLADIO C. Holmes was a neuroscience student working on a computer program designed to alter mental states. Holmes’s father, Dr. Robert Holmes, worked with DARPA to develop “cortronic neural networks” that enable machines to translate aural and visual stimuli and to simulate human thinking. That’s the same stuff that CIA uses on everyone.
Holmes, an unemployed student, who had no prior criminal record, somehow managed to buy $20,000 in guns, over 6,000 rounds of ammo, and full body armor three months before he shot eighty-two people, and his story was splashed all over the newspapers.
CIA brainwashed this Manchurian Candidate, as it brainwashes all the shooters, under GLADIO C, as the New World Order seeks to destroy our gun rights. That what the shooting in Aurora, Colorado, was all about.
James Holmes was a fan of superheroes, including Batman, and his home was decorated with Batman paraphernalia. He shot up a theater where people were watching The Dark Knight Rises. That’s not a coincidence.
Before the shooting, Holmes described his fascination with “altered states of mind” otherwise known as brainwashing and alters.
This guy had MK-ULTRA written all over him….
So does Mia Khalifa, whom CIA used in PROJECT MONARCH, OPERATION MOCKINGBIRD, and GLADIO C to promote gun control.
That’s obvious. But what about the original Batman? In the 1960s, this show was enormously popular, and it didn’t seem dark at all. Was CIA using it back then?
Certainly, they used Wonder Woman.
She was created by a psychologist who invented an early version of the lie detector and had strange ideas about submission and bondage.
Gloria Steinem, an self-avowed agent of CIA, promoted the superheroine.
Under MK-ULTRA, I was brainwashed to Wonder Woman at a programming center in the 1970s.
Wonder Woman pretended to promote feminism, but it was nothing but one rape fantasy after another.
While CIA programmed our sexuality, using drugs and hypnosis, they marketed Underoos to children; so we would wear superhero underwear while we acted out scenes from t.v.
They don’t call them television programs for nothing.
CIA used MAD Magazine to move children over to Batman, cynicism, and perversion.
The Playmate of the Year, Marilyn Lange, grew up in the same luciferian community as I. Under MK-ULTRA, we went to the same programming center. Wonderwoman had not hit the airwaves yet, so they used Batman on her. Later she toured with Adam West, Burt Ward, and the Batmobile.
Every week at the Playboy Mansion, when Hugh Hefner was not drugging and raping women, blackmailing men, and brainwashing teenagers, people gathered to watch Batman.
Batman was bigger than James Bond. Any time you see that kind of popularity, especially with respect to something so stupid, the Tavistock Institute lies behind it.
How else would you explain the mass hysteria?
Robert Butler, who directed Star Trek, was one of Batman’s directors. My fellow Westfielder, Marilyn Lange, toured with the Star Trek coupe as Playmate of the Year, while our programmers used the Vulcan mind meld, and later the holodeck, as part of our hypnotic training.
Don Weis, another director of Batman, learned to make films in the Air Force, a satanic organization deeply involved in mind control, child molesting, and rape.
While CIA calls MK-ULTRA the Program, USAF calls it the Mission. Many air force bases serve as near-death trauma centers, and Schriever AFB houses supercomputers used for mind control.
Mind control depends not only on the Deep Underground Military Bases (DUMBS) but also on the satellites that ring our planet, courtesy of NASA.
USAF had their own shows in the 1960s, like I Dream of Jeannie, where a beautiful blonde called an astronaut master.
Not to mention My Living Doll, where an air force psychologist controlled a robot woman played by Julie Newmar.
That’s the same Julie Newmar who played Catwoman….
Air Force even had a programming center and a film studio at Lookout Mountain, up Laurel Canyon, above Los Angeles, where Hollywood made Batman.
It was a real live Batcave.
And it had a real live Batcomputer.
Norman Foster was another of Batman’s directors, who worked for Walt Disney. Disney is heavily satanic, and it is heavily used in programming.
Tom Gries was yet another of Batman’s directors. Before he worked on projects like I Spy, Mission Impossible, and The Man from U.N.C.L.E., Gries was educated at the Jesuit brainwashing strongholds of Loyola and Georgetown.
Several episodes were written by Max Hodge, who attended the MK-ULTRA stronghold of the University of Michigan, was brainwashed in the Navy, and wrote screenplays about CIA. The Girl from U.N.C.L.E. and Mission Impossible are examples of his work.
Other episodes were written by Lorenzo Semple, who attended the Illuminist stronghold of Yale, before writing more screenplays about CIA. The Parallax View and Three Days of the Condor are some of his films.
But how about the shows themselves? To what extent does Batman contain cartel signaling, in which our abuse is advertised, and how was the original television show used for programming?
In High Diddle Riddle and Smack in the Middle, the Riddler drugs Robin’s drink, just as CIA uses a pharmacopia of hypnotic sedatives, dissociatives, and date rape drugs to brainwash victims, to weaken the will, and to stop memories from even forming.
The Joker Is Wild and Batman Is Riled repeat the motif, as the villain employs knock-out gas, a technique shown in The Prisoner. That’s one of my favorite shows: it tells you a lot about MK-ULTRA.
Catwoman also uses knock-out gas, as a prelude to the sexual abuse of Batman and Robin, whose bodies she greases with margarine.
Marsha Queen of Diamonds is another villain who casts hypnotic spells and uses drugs to enslave men sexually.
The pattern of her outfit indicates beta programming, just as diamonds indicate the accomplishment of a mission.
Enter Batgirl Exit Penguin picks up sexual assault, as the Penguin abducts Barbara Gordon, ties her up and gags her, while he demands that she marry him.
In Fine Feathered Finks and The Penguin’s Jinx, the villain uses a multi-colored umbrella bugged with a microphone. Color was new to television; so, in the sixties, this was a special effect.
CIA uses color programming, along with the more exotic jewel programming, through strobe lights, colors when you open your computer or watch a film, and at near-death trauma centers like China Lake where the scum rape and electrocute babies as they splinter their minds, forcing them to dissociate and “to ride the light.”
When I was at the programming center disguised as a soccer camp, my programmer got our attention with a soccer ball, which he would slowly rotate, as we watched it, hypnotizing us. I have also been hypnotized by the slow rotation of a pencil back and forth. Other hypnotic subjects had a swinging watch, and still others got a twirling multi-colored golf umbrella–just like the Penguin’s. The Prisoner, with Patrick McGoohan, picks up the device.
Look at the hypnotic effects in Danny DeVito’s umbrella, as he reprises the Penguin….
In Instant Freeze and Rats Like Cheese, Mr. Freeze paralyzes his victims–just as hapless subjects stand paralyzed with fear, hypnosis, and drugs in MK-ULTRA.
Some of the most telling episodes may be That Darn Catwoman, where the villainess uses mind control on Robin.
Her cat ears themselves indicate her status as a “beta sex kitten.”
Catwoman zaps Batman with electrodes, just as MK-ULTRA uses electroshock to train behavior and erase memories.
These are just a few episodes of the original Batman, which once seemed innocent to me, but, then again, so did Disney….
I’d go through more, but you get the idea.
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Our enemy depends on silence.