I have written elsewhere about MAD’s connection to horror comics.
One month after the founding of CIA, the agency murdered Maxwell Gaines, who had used EC Comics to publish bible stories.
This placed the company in the hands of his degenerate son, William Gaines.
Under Gaines’s ownership, CIA used EC Comics to promote degeneracy.
Congress investigated, so EC Comics dropped all of its titles–all except MAD.
Harvey Kurtzman, who founded MAD with Gaines, went off to Playboy.
While Kurtzman corrupted the minds of older teenagers, Gaines focused on younger ones.
CIA lay behind it all, and they used obscene cartel signaling to indicate their involvement. Jane’s outfit above, with its leopard pattern, vine extending like a male sex organ between her thighs and wrapped around her ankle, bondage-like, was only one example.
Look! There’s Jungle Babe wearing a similar get-up, about to be raped, in the pornographic comics to which MAD sought to move young boys.
But you didn’t have to wait until you found harder comics. There was plenty of rape in MAD.
Stanley Kubrick depicted horrific rape scenes in Clockwork Orange, as he described brainwashing by the Tavistock Institute.
But you didn’t have to wait until you found the movie. MAD joked about homosexual rape, depicted the rape of a woman in front of her husband, and suggested that she enjoyed the experience.
MAD showed rape when it parodied Rosemary’s Baby, a satanic film by the child molester Roman Polanski.
In the comic, Rosemary is told that she is only dreaming before she is violated.
In CIA PROJECT MONARCH, that’s exactly the sort of thing that satanic programmers tell their victims, under hypnosis and drugs, as they violate them.
Meanwhile, MAD showed the satanic violation of Rosemary’s naked body, while it made jokes about the rapist Hugh Hefner.
Like CIA, MAD was satanic.
If that sounds far fetched, listen to FBI Special Agent Gunderson, who exposed satanic child abuse by CIA.
MAD led children to Alfred Hitchcock films like Psycho, in which a peeper murdered a woman in the shower.
Picking up where Psycho left off, MAD introduced children to Dressed To Kill, blurring the line between dream and reality, just as programmers did under MK-ULTRA, while it refered to Angie Dickinson’s rape as “her fantasy.”
In a world of easy access to internet pornography, it might be hard to imagine; but young boys masturbated to this stuff as they were entrained to rape fantasies.
I didn’t have the issues above, but I masturbated to MAD’s version of Charlie’s Angels, which had as much rape as any of the t.v. episodes.
I also masturbated to MAD’s version of The Deep, where Jacqueline Bisset was forced to strip, standing topless before her captor.
It’s what I was entrained to do by the perverts at CIA, who sexually abused me, using drugs and hypnotism, at a programming center.
That programming center, disguised as a soccer camp, lay at Linden High School in Union, New Jersey. It’s the same place they programmed Marilyn Lange, Playmate of the Year, who lived in my home town.
CIA used Batman and Star Trek on Miss Lange, but they used Wonder Woman to program me. It’s not surprising. She was invented by a psychologist who had strange ideas about submission and bondage, and she was popularized by a CIA Agent. Like Charlie’s Angels, her t.v. show contained many rape scenes.
MAD introduced this filth to impressionable young children who never would have heard of it otherwise.
As David Futrelle wrote in Salon, describing his own experience,
One of the joys of Mad for me at the time was that it was always slightly over my head…. I learned about “Gay Liberationists” and leather-clad “Sex Fetishists.” I read the Mad versions of a whole host of films I never in a million years would have been allowed to see.
Something that went over my head was Invasion of the Body Snatchers, which refers to CIA’s use of mind control, while it contains images of a naked woman.
Likewise I failed to see that, like the Bionic Man, I had been implanted with cybernetics.
Nor did I realize how CIA uses The Wizard of Oz to program people.
Or that I was being spied on….
I knew that I wanted to see Animal House, since it showed topless women, but I didn’t know that CIA was using the film to lead teenagers to alcohol, peeping, and statutory rape.
They would never get me to sexual assault, but they would lead me to more interest in pornography than in actual women.
Every copy of MAD contained a fold-in, just as every copy of Playboy contained a centerfold. No wonder. Al Jaffee, who worked for MAD, also worked for Playboy….
MAD claimed to parody pop culture, but its readers were children who did not know the culture and did not get the jokes. In this way it resembles The Simpsons, just as Bart Simpson takes after Alfred E. Neuman.
Boys who bought magazines like the following weren’t finding breast implants ridiculous: they were fantasizing about large breasts.
Sadly, child readers might take MAD’s advice on sex and dating seriously.
MAD encouraged boys to imagine “dating” their teachers, while it fed rape fantasies.
MAD encouraged boys to make obscene gestures.
MAD encouraged boys to commit sex crimes, exposing themselves in public.
Meanwhile, led by MAD, boys fantasized about a night with the Spice Girls.
And MAD introduced children to an alter of Miley Cyrus, a victim of MK-ULTRA, who went from a portrayal of innocent girlhood to twerking on stage.
That wasn’t far off from what MAD did to child readers.
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