This morning I was listening to Joni Mitchell, for whom I have the highest admiration. Joan is a musical and poetic genius, who wrote incredible lyrics, painting with words; set them to unusual compositions; sang a wide range; played piano, guitar, and dulcimer; and did the sound engineering on her albums.
Joan’s albums Blue, Court and Spark, and Hejira are masterpieces. One critic compared the song “Amelia” to Schubert, noting the way it modulates between keys. It’s also a pioneering work in that Joan intercut film and music, making one of the first rock videos. I used to put my daughter to sleep with this song.
I cannot think of anyone more fit for knighthood, so it makes sense that Roberta Joan Mitchell wears the Order of Canada. It’s too bad that order is given out by the Windsors, who are not fit to rule.
Lately, I am thinking about the attacks on this great hero, for whom I have so much respect and admiration. Not only is Joan a great artist, but she is a great person–Nietzsche’s Übermensch–who certainly made mistakes but faced up to them, living her life with sprezzatura, sdegno, and freedom. She once turned down a million dollars to play Las Vegas, and she needed the money. As my hero sings in what is merely a throw-away song, written to her lover, cut from her masterpiece Court and Spark, “We love our loving–not like we love our freedom.” As high as love is valued, as high as joy is valued, freedom is more.
Joan has Morgellons Syndrome, a crippling affliction caused by the illegal activities of the CIA and the U.S. government. Morgellons is a bioweapon.
This bioweapon is connected to the chemtrails we see everyday in the sky, which are part of OPERATION CLOVERLEAF and INDIGO SKY FOLD.
Morgellons are also connected to cybernetic implants, which the CIA has been illegally putting into people since the 1950s. Below is a database of over 100 patents held by defense contractors of technology, which are now old-fashioned.
You can learn more about the illegal implantation of people, including me and Joan, in Aaron and Melissa Dykes’ excellent documentary, The Minds of Men, about the crimes committed by the CIA under MK-ULTRA. Once you learn even a little, you’d have to be a fool to think they just stopped doing this stuff.
One of the reasons people don’t remember what the government did to them–something picked up in movies like The Bourne Identity or The Manchurian Candidate–is that CIA uses drugs like scopolamine that stop memories from even forming.
The effects of illegal government programs are often misdiagnosed. No wonder doctors fail to acknowledge the reality of Morgellons–or that they do not understand the cause of brain aneurysms like the one that Joan suffered, or the one that killed my grandfather.
It’s kind of like chronic Lyme Disease, another bioweapon that most physicians do not, or refuse to, understand.
A few doctors get it. Physicians like Rauni Kilde, the Chief Medical Officer of Finland, have taken a stand against microwave harassment and the war the global intelligence community has declared on humanity. That’s why Norwegian Intelligence murdered Rauni Kilde, just as CIA attacks Joni Mitchell.
It seems obvious that Joni Mitchell is under attack, like all of us targeted individuals. The satanic trash at CIA always target the best and the brightest, seeking especially to destroy people who have great bravery, intelligence, beauty, or creativity. The enemy is subhuman.
When did this start? When did CIA begin to attack Joni Mitchell? They were extremely active in Laurel Canyon when she was living there, so it must have been the late 1960s.
That’s when Joan had a nervous breakdown, which she documents in her music. As she said,
At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn’t pretend in my life to be strong.
Joan later interpreted this change in herself as a shamanic conversion, just as some people interpret similar changes as kundalini awakening. As much as I respect this great artist, as a true human being, a genius, and my hero, she got that wrong. The breakdown was not spiritual but the direct result of attacks by CIA under MK-ULTRA, just as I have suffered.
After leaving Graham Nash, Joan went to Europe, and then to British Columbia, living alone in the woods. There she was even more vulnerable than in Laurel Canyon. When you are isolated, when you are not working regularly, not seeing other people, it is very easy for CIA to grab you and do things to you. The name of the game is mind control, and MK-ULTRA uses hypnosis and cybernetics to make you act out of character. Pretty soon you are doing crazy things like posing naked on your record albums, even if you’re flipping suggestions. They hypnotized Joan to pose naked, thinking she’d go to Playboy, but she came out with something that looked like, “Kiss my ass.” Here in one of her homes, British Columbia, maybe you can see why she’s my hero.
When you are a genius hanging out with douchebags like Jack Nicholson and Warren Beatty, under these circumstances, it is very likely that you are suffering from mind control.
Jack Nicholson and Warren Beatty are rapists, who spent extensive time at the Playboy Mansion, which Hugh Hefner ran for CIA, drugging and raping women, and blackmailing men. They don’t belong in the company of Joan Mitchell.
But I think the song that says it all is the one Joan wrote in For the Roses, the one she felt did not belong on the album, and the one she thought sounded a false note, the one that came right when she had her nervous breakdown, right when CIA grabbed her in British Columbia.
“You Turn Me On, I’m A Radio” is full of cartel signaling, from the title to the lyrics, which indicate microwave harassment and cybernetic implantation all the way through.
I don’t know about you, but I am furious about what the CIA has done to my hero, to me, and to so many others.
Let’s fight them together!
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